Virginia Woolf: visual poetics and the politics of visibility

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Campo DC	Valor	Idioma
dc.contributor.author	Macedo, Ana Gabriela	por
dc.date.accessioned	2019-04-03T12:37:28Z	-
dc.date.available	2019-04-03T12:37:28Z	-
dc.date.issued	2003	-
dc.identifier.issn	2183-2242	-
dc.identifier.uri	https://hdl.handle.net/1822/59832	-
dc.description.abstract	Amongst the tantalizing variety of books and critical essays both on Woolf’s life and work that keep coming out, recent criticism, maybe due to the growing space given to the study of inter art poetics, seems to be particularly oriented to the intersection of the visual world in Woolf’s textual production. In parallel to this, a new trend of criticism has developed, along the lines of Postmodernism, considering the multi “re-fashionings” of Woolf within the contemporary visual culture and the impact of the media on her work and her personality	por
dc.language.iso	eng	por
dc.rights	openAccess	por
dc.rights.uri	http://creativecommons.org/licenses/by-nc/4.0/	por
dc.subject	Virginia Woolf	por
dc.subject	Photography	por
dc.subject	Icon	por
dc.subject	Celebrity cult	por
dc.title	Virginia Woolf: visual poetics and the politics of visibility	por
dc.type	article	por
dc.peerreviewed	yes	por
oaire.citationStartPage	121	por
oaire.citationEndPage	139	por
oaire.citationConferencePlace	Porto	por
oaire.citationVolume	8/9	por
dc.subject.fos	Humanidades::Línguas e Literaturas	por
dc.description.publicationversion	info:eu-repo/semantics/publishedVersion	por
sdum.journal	Cadernos de Literatura Comparada	por
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